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SELECT PUBLISHED WORKS

Writing: Files

THE WISDOM OF RUINS

Critical Distance Centre for Curators, 2020

Featuring the work of emerging Toronto-based artist HollyJo, The Wisdom of Ruins is a collection of materials that bear witness to unconventional grief and rituals of mourning. 

(UN)FAMILIAR RESEMBLANCES: CIRCULARITY OF (UN)KNOWING

Femme Art Review, 2022

Circularity of (un)knowing: An exploration of embodied knowledge in untitled spaces at Mayten's Projects
Artists Claire Heidinger, mihyun maria kim, Natia Lemay, Par Nair, and Hau Pham refigure absence, cropping and abstracting women’s figures to relay an intimate sense of recognition. Featuring IBPOC women artists, the exhibition avoids the pitfalls of homogenizing “otherness.” Self-curated by participating artists, the exhibition acts as a call-in. What strength does refusal hold in an age of hypervisibility?

MAKING YOUR WAY UNDER DARKNESS

Peripheral Review, 2022

Moonshow, curated by Tkaronto-based collective Hearth, and exhibited at the plumb in the city’s midtown, lapped at the viewer’s consciousness like the moon pulls the tide: reflection, cyclical repetition and vibration act as guiding forces through the serpentine project space.

IMPENETRABLE INTIMACIES: THE BODY AS A FEVER DREAM

Exhibition Review, 2020

the body as a fever dream at Xpace Cultural Centre, published in Femme Art Review

I WAS STILL THERE

OCAD University, 2019

I was still there was a presentation of video works exhibiting methods of framing grief in order to see oneself as an agent in one's own healing. Presented as BFA Thesis.

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